Only after she starts rending a highly prized shirt, and Ken, still bound and wearing only shorts, has fallen forward on his face, does he agree to tell her what she wants to hear. She proceeds to start pulling items off his clothing rack and ripping them in half while he yells for her to stop. This time it is Ken who has information that Barbie needs, and she has stripped him and tied him up with ropes. The second occasion has Barbie (you read that right) with Ken in a spacious walk-in closet. The power-screwdriver pulls out the screws on Buzz's back panel, and the panel is removed and a big deal made of switching off one of his settings near his batteries, fundamentally altering his personality for much of the rest of the film, making him docile for the "bad guys." Then Ken moves forward with an aggressive look and summons a nearby robot to take a power-screwdriver to Buzz's back while others hold Buzz down as he resists and writhes. Ken wants Buzz to come over to the mean side of the tracks. The first occasion has Ken (Barbie's boyfriend) interrogating Buzz Lightyear, in the manner of old-fashioned one-on-one movie interrogations under an exposed light bulb. I'm flying without notes here, but these are my best recollections: (This movie, by the way, is rated G.) And then there is Barbie.īut back to "deeply disturbed": does a film created after September 11 and in the midst of the present wars get to pretend innocence when torture is playfully suggested in three different scenes? My descriptions might make you laugh given the characters involved, but no one who has read any of the torture accounts from the post-9/11 era (or indeed, long before) can deny the unsettling echoes between those accounts and the film's unstudied and untroubled attitude to the depiction of physical abuse (each time for the sake of "the truth") in this film. Let me preface these remarks by saying that I found the intimations of serious violence throughout the movie, and especially in the last half-hour (living toys nearly getting thrashed to shreds and burned to death in an incinerator, and calmly holding hands as they prepare to die violently in fire), almost willfully gratuitous. (Spoiler alert: if you don't want to know a few details of "Toy Story 3," stop reading here.) But I also left deeply disturbed by the presence of (what I at least took to be) a casual torture leitmotif in the movie. The movie served up enough double-entendres and other multilevel gestures, speaking to children and adults distinctly but simultaneously, to keep the older set (20%) in our packed Yonkers theater laughing almost in sync with the kids (80%). Today, I went with my nearly-five-year-old daughter to see the new Disney movie "Toy Story 3." I did not know the storyline or the characters from the first two "Toy Story" movies, but looked up the trailers and read a few reviews online before deciding we could go see it together. File this post under "crotchety dad" if you must, but I hope it is more than that.
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